Spoon Poster

$20.00

Description

Spoon Poster is an American rock band formed in Austin, Texas. The band comprises Britt Daniel (vocals, guitar); Jim Eno (drums); Rob Pope (bass guitar, guitar, keyboards, backing vocals), Alex Fischel (keyboard, guitar), and Gerardo Larios (keyboards, guitar, backing vocals).[3] Critics have described the band’s musical style as indie rock,[4][5] indie pop,[5][6] art rock,[7][8] and experimental rock.[9]

Formed in 1993 in Austin, Texas by Britt Daniel (vocals, guitar) and Jim Eno (drums), Spoon released their debut studio album, Telephono, in 1996. Their next full-length, A Series of Sneaks, was released in 1998 on Elektra Records. The band subsequently signed with Merge Records, where Spoon achieved greater commercial and critical prominence with the albums Girls Can Tell (2001), Kill the Moonlight (2002), Gimme Fiction (2005), Ga Ga Ga Ga Ga (2007), Transference (2010), and They Want My Soul (2014). The band’s ninth album, Hot Thoughts, was released on March 17, 2017, on Matador Records. Spoon Poster

History[edit] Spoon Poster

The band was formed in late 1993 by the lead singer and guitarist Britt Daniel and the drummer Jim Eno, after the two met as members of The Alien Beats.[10] The name Spoon was chosen to honor the 1970s German avant-garde band Can, whose hit song “Spoon” was the theme song to the 1985 movie Das Messer aka Jagged Edge in the United States.[11] Eno describes Spoon’s music as “psychedelic.”[12]

Early years[edit] Spoon Poster

Spoon’s first recording was the vinyl release of the EP Nefarious in May 1994.[13] In 1995 the band signed with Matador Records, and within a year, Spoon released its first full-length LP Telephono in 1996. The album was met with mixed reviews, with critics often comparing their sound with the likes of Pavement, Pixies and Wire.[14] But comparisons aside, Telephono showed signs of a band slipping free of its influences, mixing post-punk with a blend of pop.[15]

Less than a year later, Spoon released its second EP, Soft Effects, which served as a transition to their more distinctive, honed sound.[16] Unlike its predecessors, Soft Effects was less noisy and brash, showcasing a more sophisticated, minimalist approach.[17]

In late 1996, Spoon was playing a gig at the Argo in Denton, Texas with Ed Cooper and local band Maxine’s Radiator, which then featured Josh Zarbo on bass. Zarbo was invited to audition for Daniel and Eno in 1997, and subsequently became the band’s full-time bassist until his permanent departure in 2007.[18] Spoon Poster

Major label debut[edit] Spoon Poster

After the release of Soft Effects, Spoon signed to Elektra Records in 1998. Appropriately enough, Elektra had also been the record label that found and developed the Pixies. [19]Through Elektra the band released A Series of Sneaks in May 1998. The album did not sell as well as the label had hoped; merely four months after the release of Sneaks, Spoon’s Elektra A&R man Ron Laffitte quit his job and that week the band was dropped from the label.[20] Angry with Laffitte, who had promised to stick with the band, Spoon recorded a vindictive yet humorously-titled two-song concept single entitled “The Agony of Laffitte,” which was released by Saddle Creek Records. They lamented their experience with the music business executive and questioned his motivations with the songs “The Agony of Laffitte” and “Laffitte Don’t Fail Me Now”.[21]

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